Aberya (Christian Linaban, 2012) February 10, 2013Posted by Richard Bolisay in Asian Films, Cinema Rehiyon, Noypi.
Written by Christian Linaban and Ara Chawdhury
Directed by Christian Linaban
Cast: Will Devaughn, Mercedes Cabral, Iwa Moto, Nicholas Varela
Aberya can be faulted for nursing a wealth of clichés and for the way director Christian Linaban clings to them to push his four narratives, oftentimes to the point of failing to see how ridiculous and empty some sequences turn out to be, having too many clouds to obscure their sense, relying heavily on sensations instead of substance. Despite not having a solid core, it displays a kind of energy and rhythm that can only come from someone with a hand huge enough to hold the material together. Contrary to certain remarks of sloppiness, it manages to exert control over the scattered, oddly shaped fragments and interlock them with the bigger, more muscular ones, allowing itself to move forward with little concern for excesses. The visual exercise has nothing much to say—apparently having a message is hardly the film’s intention, bent as it is on showing off instead of exploring—and the entertaining manner in which it unravels the densities of its characters leaves no room for introspection. There is unity in its staleness, an order from its chaos. And just for that terrific segment starring Nicholas Varela, a culmination of Linaban’s promise and his ability to fulfill it, Aberya is worth the trippy cruise.